"La mort de Cléopâtre: Meditation: Grands Pharaons, nobles Lagides" by Hector Berlioz, Anna Caterina Antonacci, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin was released on February 1, 2011. La mort de Cléopâtre: Meditation: Grands Pharaons, nobles Lagides appears to be safe for all ages as it is not explicit. The song is number 7 out of 7 in Berlioz: Symphonie fantastique - Cléopâtre by Hector Berlioz, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, La mort de Cléopâtre: Meditation: Grands Pharaons, nobles Lagides is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La mort de Cléopâtre: Meditation: Grands Pharaons, nobles Lagides by Hector Berlioz, Anna Caterina Antonacci, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Götterdämmerung - Concert version / Dritter Aufzug: Finale | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 136 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Sylvia: Act I: Les chasseresses (Fanfare) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 1 | 5B | 83 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamente | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Roman Carnival Overture, Op. 9 (Remastered) | Hector Berlioz, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 77 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM |
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