"Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa" by Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset was released on February 28, 2020. With this song being about 5 minutes long, at 4:48, "Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa" by Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "Pergolesi: Stabat Mater". In this album, this song's track order is #1. Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa by Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Merope: Sposa, non mi conosci | Geminiano Giacomelli, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Minor | 0 | 9A | 114 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
Le Pouvoir de l'Amour, Première entrée Scène 1: Ritournelle | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Major | 2 | 7B | 90 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | ||
Theodora, HWV 68 - Aria 'With darkness deep as in my woe' | George Frideric Handel, Sandrine Piau, Stefano Montanari, Accademia Bizantina | E♭ Major | 0 | 5B | 98 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
Armida, Atto primo Scena 3: Eterno Provveder, tu che guidasti (Ubaldo) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Ashley Riches | G Major | 3 | 9B | 107 BPM | ||
L'Eraclea: Dopo i nembi e le procelle | Tomaso Albinoni, Simone Kermes, Amici Veneziani | D Minor | 1 | 7A | 137 BPM | ||
Samson et Dalila: Mon coeur s’ouvre à ta voix | Camille Saint-Saëns, Marie-Nicole Lemieux, Orchestre National De France, Fabien Gabel | A♭ Major | 1 | 4B | 70 BPM |
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