"The Beastmaster Concert Suite (From "the Beastmaster")" by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge was released on September 6, 2016. Since The Beastmaster Concert Suite (From "the Beastmaster") is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 13 in East of Eden: Motion Picture and Television Scores of Lee Holdridge by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, The Beastmaster Concert Suite (From "the Beastmaster")'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Beastmaster Concert Suite (From "the Beastmaster") by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alan Turing's Legacy | Alexandre Desplat, London Symphony Orchestra | F Minor | 4 | 4A | 102 BPM | ||
The Birth of the Twins and Padmé's Destiny | John Williams, London Symphony Orchestra | E Major | 1 | 12B | 65 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | ||
Il Trovatore: "Anvil Chorus" (Live) | London Symphony Orchestra, The London Symphony Chorus, Barry Wordsworth | C Major | 3 | 8B | 135 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Fairytale | Harry Gregson-Williams, John Powell | A♭ Major | 2 | 4B | 83 BPM | ||
Can-Can From Orpheus In The Underworld | Jacques Offenbach, Royal Philharmonic Orchestra, Philip Ellis | D Major | 6 | 10B | 165 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | F Major | 0 | 7B | 66 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, London Symphony Orchestra | D♭ Major | 0 | 3B | 56 BPM |
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