London Symphony Orchestra, The London Symphony Chorus, Barry Wordsworth's 'Il Trovatore: "Anvil Chorus" (Live)' came out on June 29, 2017. The duration of Il Trovatore: "Anvil Chorus" (Live) is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Il Trovatore: "Anvil Chorus" (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 9 in Astrology & Zodiac Music - Aquarius by London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Il Trovatore: "Anvil Chorus" (Live)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Il Trovatore: "Anvil Chorus" (Live) by London Symphony Orchestra, The London Symphony Chorus, Barry Wordsworth is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
War Requiem, Op. 66 / Requiem aeternam: 1b. What Passing Bells for These who die as Cattle? | Benjamin Britten, Sir Peter Pears, Melos Ensemble, The Bach Choir, London Symphony Chorus, London Symphony Orchestra | F♯ Major | 1 | 2B | 82 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 135 BPM | ||
Jerusalem | Hubert Parry, Cantillation, David Drury, Brett Weymark | D Major | 3 | 10B | 69 BPM | ||
Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Festive Overture Op.96 | Dmitri Shostakovich, Philharmonia Orchestra, Vladimir Ashkenazy | A Major | 4 | 11B | 80 BPM | ||
Judas Maccabaeus, HWV 63: See, the conqu'ring hero comes! | George Frideric Handel, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 129 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Requiem, Op. 48: VI. Agnus Dei | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Minor | 1 | 7A | 69 BPM |
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