On March 4, 2014, the song "Sei canzoncine ou petits airs italiens (1808): No. 5. Voi siete luci belle" was released by Isabella Colbran, Maria Chiara Pizzoli, Marianne Gubri. With Sei canzoncine ou petits airs italiens (1808): No. 5. Voi siete luci belle being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 27 in Colbran: Italian Arias for Voice and Harp by Isabella Colbran, Maria Chiara Pizzoli. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Sei canzoncine ou petits airs italiens (1808): No. 5. Voi siete luci belle is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sei canzoncine ou petits airs italiens (1808): No. 5. Voi siete luci belle by Isabella Colbran, Maria Chiara Pizzoli, Marianne Gubri is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Lieder, Op. 48: No. 1, Freundliche vision | Charlotte Hoather | D Major | 1 | 10B | 94 BPM | ||
Les Berceaux, Op. 23 No. 1 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
Requiem: Pie Jesu | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg | G Major | 3 | 9B | 156 BPM | ||
Traditional / Arr. Moore: Blow the Wind Southerly (Live) | Traditional, Gerald Moore, Victoria de los Ángeles | G Major | 2 | 9B | 74 BPM | ||
Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Prolog: O vos omnes, qui transitis per viam | César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer | A Major | 1 | 11B | 81 BPM | ||
Vous perdre | Juliette Leroux, David Teres | F Minor | 0 | 4A | 74 BPM | ||
Mi lagnero tacendo, K. 437 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker | A♭ Major | 2 | 4B | 109 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
A Child of our Time, Part I: A Spiritual. Steal away (Soprano, Tenor, Chorus) | Michael Tippett, Pumeza Matshikiza, Joshua Stewart, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Te deum, LWV 55: I. Te Deum | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 5 | 6B | 79 BPM |
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