Ermanno Wolf-Ferrari, Slovak Radio Symphony Orchestra, Ondrej Lenard made "I gioielli della Madonna: Intermezzo No. 2" available on January 14, 1991. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Opera Intermezzi And Preludes". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, I gioielli della Madonna: Intermezzo No. 2's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With I gioielli della Madonna: Intermezzo No. 2 by Ermanno Wolf-Ferrari, Slovak Radio Symphony Orchestra, Ondrej Lenard having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in C Major, GB 115: II. Andante | Georges Bizet, Georges Prêtre | A Minor | 0 | 8A | 136 BPM | ||
Petite Suite, L. 65: III. Menuet | Claude Debussy, Orchestre de la Suisse Romande, Ernest Ansermet | G Major | 1 | 9B | 94 BPM | ||
Symphony No. 4 in E-Flat Major, "Sinfonie naive": II. Adagio — | Franz Berwald, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 0 | 10B | 80 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata IV. "Deus meus, ut quid dereliquisti me?" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Akt I: Durch Mitleid wissend | Richard Wagner, Stefan Cerny, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Symphony in C Major, Op. 46: II. Sehr langsam - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | F Major | 0 | 7B | 90 BPM | ||
Sleep & Chill | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
The Excursions of Mr. Brouček, JWI/7: "Introduction" | Leoš Janáček, Prague National Theatre Orchestra, Jaroslav Kyzlink | F♯ Major | 1 | 2B | 75 BPM |
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