Pietro Mascagni, Renata Scotto, Plácido Domingo, James Levine's 'Cavalleria rusticana: Act I: Tu qui, Santuzza?' came out on 1979. The duration of Cavalleria rusticana: Act I: Tu qui, Santuzza? is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Cavalleria rusticana: Act I: Tu qui, Santuzza?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pietro Mascagni, James Levine's "Mascagni: Cavalleria Rusticana - The Sony Opera House" album is number 9 out of 21. Cavalleria rusticana: Act I: Tu qui, Santuzza? is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cavalleria rusticana: Act I: Tu qui, Santuzza? by Pietro Mascagni, Renata Scotto, Plácido Domingo, James Levine to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | A♭ Major | 0 | 4B | 113 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Serse (Xerxes), Hwv 40 (arr. for oboe and orchestra): Act I: Ombra mai fu, "largo" | George Frideric Handel, Jozef Cejka, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 88 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
Cavalleria Rusticana: Scena, Santuzza e Lucia e sortita di Alfio | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Carolina López Moreno, Elisabetta Fiorillo, Domen Krizaj, Balthasar Neumann Choir | E♭ Major | 1 | 5B | 76 BPM | ||
Barcarolle | Jacques Offenbach, Anna Netrebko, Elina Garanca | D Major | 2 | 10B | 132 BPM | ||
Cinema Paradiso | Ennio Morricone, Raphaela Gromes, Julian Riem | B♭ Major | 1 | 6B | 66 BPM |
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