"The Merry Widow: Introduction (Instrumental)" by Franz Lehár, Franz Bauer-Theussl, Vienna Volksoper Orchestra was released on January 1, 2009. The duration of The Merry Widow: Introduction (Instrumental) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. The Merry Widow: Introduction (Instrumental)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Nicolai: Merry Wives of Windsor Highlights - Lehár: The Merry Widow Highlights". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The Merry Widow: Introduction (Instrumental) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Merry Widow: Introduction (Instrumental) by Franz Lehár, Franz Bauer-Theussl, Vienna Volksoper Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
Ich liebe dich, WoO 123 | Ludwig van Beethoven, Dietrich Fischer-Dieskau, Hertha Klust | F Major | 0 | 7B | 169 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
Die lustige Witwe - Operette in 3 Akten (1989 - Remaster), 1. Akt: Nr.3: Bitte, meine Herr'n...Gar oft hab' ich's gehört | Franz Lehár, Leo Stein, Victor Leon, Edda Moser/Norbert Orth/Friedrich Lenz /Chor des Bayerischen Rundfunks/Münchner Rundfunkorchester/Heinz Wallberg, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra | A Major | 2 | 11B | 102 BPM | ||
Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
Der Vogelhändler · Operette in 3 Akten (1988 Digital Remaster): Vorspiel (Orchester) | Carl Zeller, Anneliese Rothenberger, Adolf Dallapozza, Gisela Litz, Gerhard Unger, Walter Berry, Wolfgang Anheisser, Wiener Symphoniker, Jürgen Förster, Karl Dönch, Willi Boskovsky, Chor der Wiener Staatsoper in der Volksoper, Renate Holm | G Major | 2 | 9B | 109 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM |
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