The Merry Widow: Introduction (Instrumental)
Franz Lehár, Franz Bauer-Theussl, Vienna Volksoper Orchestra
Nicolai: Merry Wives of Windsor Highlights - Lehár: The Merry Widow Highlights
2:57 January 1, 2009
BPM
87
Key
F Major
Camelot
7B

Embed

Share Link

The Merry Widow: Introduction (Instrumental) - Franz Lehár, Franz Bauer-Theussl, Vienna Volksoper Orchestra Information

Acousticness
96%
Danceability
18%
Energy
20%
Instrumentalness
92%
Liveness
8%
Loudness
71%
Speechiness
3%
Valence
4%
Popularity
Loudness
-17.215 dB

Summary

"The Merry Widow: Introduction (Instrumental)" by Franz Lehár, Franz Bauer-Theussl, Vienna Volksoper Orchestra was released on January 1, 2009. The duration of The Merry Widow: Introduction (Instrumental) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. The Merry Widow: Introduction (Instrumental)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Nicolai: Merry Wives of Windsor Highlights - Lehár: The Merry Widow Highlights". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The Merry Widow: Introduction (Instrumental) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Merry Widow: Introduction (Instrumental) BPM

With The Merry Widow: Introduction (Instrumental) by Franz Lehár, Franz Bauer-Theussl, Vienna Volksoper Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

The Merry Widow: Introduction (Instrumental) Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Aïda Marche triomphale by Arthur Fiedler, Boston Pops OrchestraAïda Marche triomphaleArthur Fiedler, Boston Pops OrchestraD Major310B100 BPM
Ich liebe dich, WoO 123 by Ludwig van Beethoven, Dietrich Fischer-Dieskau, Hertha KlustIch liebe dich, WoO 123Ludwig van Beethoven, Dietrich Fischer-Dieskau, Hertha KlustF Major07B169 BPM
La Wally / Act 1: La Wally / Act 1: "Ebben? Ne andrò lontana"Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John MauceriE Major112B87 BPM
Gaite Parisienne (after J. Offenbach): 23. Barcarolle by Manuel Rosenthal, Monte-Carlo Philharmonic OrchestraGaite Parisienne (after J. Offenbach): 23. BarcarolleManuel Rosenthal, Monte-Carlo Philharmonic OrchestraD Major010B113 BPM
Die lustige Witwe - Operette in 3 Akten (1989 - Remaster), 1. Akt: Nr.3: Bitte, meine Herr'n...Gar oft hab' ich's gehört by Franz Lehár, Leo Stein, Victor Leon, Edda Moser/Norbert Orth/Friedrich Lenz /Chor des Bayerischen Rundfunks/Münchner Rundfunkorchester/Heinz Wallberg, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio OrchestraDie lustige Witwe - Operette in 3 Akten (1989 - Remaster), 1. Akt: Nr.3: Bitte, meine Herr'n...Gar oft hab' ich's gehörtFranz Lehár, Leo Stein, Victor Leon, Edda Moser/Norbert Orth/Friedrich Lenz /Chor des Bayerischen Rundfunks/Münchner Rundfunkorchester/Heinz Wallberg, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio OrchestraA Major211B102 BPM
Wien bleibt Wien, Marsch by Johann Schrammel, Budapest Strauss Ensemble, Istvan BogarWien bleibt Wien, MarschJohann Schrammel, Budapest Strauss Ensemble, Istvan BogarD Major410B122 BPM
La fille du régiment / Act 1: La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!"Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo FrizzaF Major17B134 BPM
Der Vogelhändler · Operette in 3 Akten (1988 Digital Remaster): Vorspiel (Orchester) by Carl Zeller, Anneliese Rothenberger, Adolf Dallapozza, Gisela Litz, Gerhard Unger, Walter Berry, Wolfgang Anheisser, Wiener Symphoniker, Jürgen Förster, Karl Dönch, Willi Boskovsky, Chor der Wiener Staatsoper in der Volksoper, Renate HolmDer Vogelhändler · Operette in 3 Akten (1988 Digital Remaster): Vorspiel (Orchester)Carl Zeller, Anneliese Rothenberger, Adolf Dallapozza, Gisela Litz, Gerhard Unger, Walter Berry, Wolfgang Anheisser, Wiener Symphoniker, Jürgen Förster, Karl Dönch, Willi Boskovsky, Chor der Wiener Staatsoper in der Volksoper, Renate HolmG Major29B109 BPM
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée by Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges PrêtreLouise (1997 Digital Remaster): Depuis le jour où je me suis donnéeMaria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges PrêtreG Major19B95 BPM
Andrea Chénier / Act III: Andrea Chénier / Act III: "La mamma morta"Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoD Major110B76 BPM
ISRC
USSJ10915542
Label
L-M Records/RCA Records

Section: 1.1597108840942383

End: 1.164846658706665