Carl Zeller, Anneliese Rothenberger, Adolf Dallapozza, Gisela Litz, Gerhard Unger, Walter Berry, Wolfgang Anheisser, Wiener Symphoniker, Jürgen Förster, Karl Dönch, Willi Boskovsky, Chor der Wiener Staatsoper in der Volksoper, Renate Holm's 'Der Vogelhändler · Operette in 3 Akten (1988 Digital Remaster): Vorspiel (Orchester)' came out on 1974. With Der Vogelhändler · Operette in 3 Akten (1988 Digital Remaster): Vorspiel (Orchester) being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zeller: Der Vogelhändler by Carl Zeller, Anneliese Rothenberger, Willi Boskovsky, Wiener Symphoniker. The song's track number on the album is #1 out of 35 tracks. In terms of popularity, Der Vogelhändler · Operette in 3 Akten (1988 Digital Remaster): Vorspiel (Orchester) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Der Vogelhändler · Operette in 3 Akten (1988 Digital Remaster): Vorspiel (Orchester) by Carl Zeller, Anneliese Rothenberger, Adolf Dallapozza, Gisela Litz, Gerhard Unger, Walter Berry, Wolfgang Anheisser, Wiener Symphoniker, Jürgen Förster, Karl Dönch, Willi Boskovsky, Chor der Wiener Staatsoper in der Volksoper, Renate Holm has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Der Vogelhändler · Operette in 3 Akten (1988 Digital Remaster): Vorspiel (Orchester) being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Orphee aux enfers (Orpheus in the Underworld) (Sung in German): Act I Scene 2: Wenn ich den grunen Wald durchjage (Diana, Chorus) | Jacques Offenbach, Heinz Hoppe, Anneliese Rothenberger, Max Hansen, Ferry Gruber, Bruno Fritz, Gisela Litz, Rupert Glawitsch, Else Mühl, Renata George, Ursula SchirrmacHer, Erna Maria Duske, Ilse Hübener, Jürgen Förster, Karl Otto, NDR Chor, NDR Sinfonieorchester, Paul Burkhard | A♭ Major | 1 | 4B | 98 BPM | ||
Die Zauberflöte, K. 620: Act I Scene 1: Aria: Dies Bildnis sind bezaubernd schon (Tamino) | Wolfgang Amadeus Mozart, Wilma Lipp, Irmgard Seefried, Gertrud Grob-Prandl, Sieglinde Wagner, Elisabeth Höngen, Edith Oravez, Elisabeth Rutgers, Ruthilde Boesch, Polly Batic, Walther Ludwig, Karl Schmitt-Walter, Josef Greindl, Paul Schöffler, Hermann Gallos, Karl Dönch, Peter Klein, Ernst Haefliger, Hermann Uhde, Anton Dermota, Erich Kunz, Vienna State Opera Chorus, Wiener Philharmoniker, Wilhelm Furtwängler | E♭ Major | 3 | 5B | 169 BPM | ||
Blue Canary | Renate Holm | C Minor | 3 | 5A | 136 BPM | ||
Die Puppenfee (The Fairy Doll): No. 14 Andante | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F♯ Minor | 1 | 11A | 80 BPM | ||
Ouvertüre (Der Freischütz) | Wiener Philharmoniker, Maud Cunitz, Reinhold Siegert, Franz Bierbach, Alfred Poell, Emmy Loose, Hans Hopf, Marjan Rus, Otto Edelmann, Maria Schober, Vienna State Opera Chorus, Karl Dönch, Anny Felbermayer | C Major | 2 | 8B | 107 BPM | ||
Wagner: Tannhäuser, Act 2: Einzug der Gäste | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | F Minor | 4 | 4A | 130 BPM | ||
Nymphen-Polka, Op. 50 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter Hilgers | C Major | 2 | 8B | 75 BPM | ||
Fledermaus-Quadrille, Op. 363 | Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky | D Major | 3 | 10B | 116 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM |
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