"Ouvertüre (Der Freischütz)" by Wiener Philharmoniker, Maud Cunitz, Reinhold Siegert, Franz Bierbach, Alfred Poell, Emmy Loose, Hans Hopf, Marjan Rus, Otto Edelmann, Maria Schober, Vienna State Opera Chorus, Karl Dönch, Anny Felbermayer was released on September 20, 2006. Ouvertüre (Der Freischütz) appears to be safe for all ages as it is not explicit. The song is number 1 out of 24 in Freischütz - Carl Maria von Weber by Wiener Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. In terms of popularity, Ouvertüre (Der Freischütz) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ouvertüre (Der Freischütz) by Wiener Philharmoniker, Maud Cunitz, Reinhold Siegert, Franz Bierbach, Alfred Poell, Emmy Loose, Hans Hopf, Marjan Rus, Otto Edelmann, Maria Schober, Vienna State Opera Chorus, Karl Dönch, Anny Felbermayer is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Schubert: Rosamunde, Op. 26, D. 797: Ballet Music II | Franz Schubert, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 98 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Tuba mirum | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Helga Muller-Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 66 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Der fliegende Holländer: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Minor | 3 | 8A | 88 BPM | ||
Tannhäuser: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | E Major | 2 | 12B | 82 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
The Barber of Seville: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | E Major | 2 | 12B | 175 BPM |
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