George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown made "Concerto Grosso in G Major, Op. 6, No. 1, HWV 319: III. Adagio" available on January 1, 2000. The duration of Concerto Grosso in G Major, Op. 6, No. 1, HWV 319: III. Adagio is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Concerto Grosso in G Major, Op. 6, No. 1, HWV 319: III. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Concerto Grosso Op. 6, Nos. 1, 2, 8, 9, 10 and 12" album is number 3 out of 32. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Concerto Grosso in G Major, Op. 6, No. 1, HWV 319: III. Adagio is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto Grosso in G Major, Op. 6, No. 1, HWV 319: III. Adagio by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XV. [Rigaudon 2] - XIV. [Rigaudon 1] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 1 | 12B | 120 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Timothy Brown/Nicholas Hill/Graham Sheen/Celia Nicklin/George Caird/Caroline Marwood/Alan Loveday/George Malcolm/Sir Neville Marriner, Sir Neville Marriner, Academy of St. Martin in the Fields | D Minor | 1 | 7A | 60 BPM | ||
Mozart: Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 117 BPM | ||
Concerto for 2 Oboes in C Major, RV 534: II. Largo | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Mozart, L: Toy Symphony: III. Allegro moderato | Leopold Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 5 | 11B | 97 BPM | ||
Förster: Horn Concerto in E-Flat Major: I. Con discrezione | Christoph Förster, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 80 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande | Johann Sebastian Bach, William Bennett, Academy of St. Martin in the Fields, Thurston Dart, Sir Neville Marriner | F Major | 4 | 7B | 117 BPM | ||
Brandenburg Concerto No. 1 in F Major, BWV 1046: 2. Adagio | Johann Sebastian Bach, Carl Pini, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 84 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM |
Section: 0.7011659145355225
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