Methodist Central Hall Choir, Westminster, John Chapman made "Wesley: What Shall I Do My God to Love (Jerusalem) - 3. Throughout the World Its Breadth Is Known" available on January 1, 1985. With Wesley: What Shall I Do My God to Love (Jerusalem) - 3. Throughout the World Its Breadth Is Known being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 69 out of 89 in Charles Wesley - 20 Favourite Hymns by Methodist Central Hall Choir, Westminster, John Chapman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Wesley: What Shall I Do My God to Love (Jerusalem) - 3. Throughout the World Its Breadth Is Known is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Wesley: What Shall I Do My God to Love (Jerusalem) - 3. Throughout the World Its Breadth Is Known by Methodist Central Hall Choir, Westminster, John Chapman is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: VIII. Libera Me | Michael John Trotta, Tenebrae, Nigel Short | E♭ Major | 0 | 5B | 111 BPM | ||
Like as the Hart Desireth the Water Brooks, So Longeth My Soul After Thee, O God (Psalm 42) | Samuel Wesley, Gloriae Dei Cantores, Elizabeth C. Patterson, Unknown Artist | G Major | 2 | 9B | 101 BPM | ||
Come, Risen Lord: Come, risen Lord | Leo Sowerby, Cathedral Choral Society, Nicholas White, Gisele Becker | B♭ Major | 1 | 6B | 79 BPM | ||
Wesley: Ye Servants of God (Laudate Dominum) - 3. Salvation to God | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | B♭ Major | 2 | 6B | 98 BPM | ||
Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Cornets Noirs, Les, Gerd Guglhör | G Minor | 1 | 6A | 121 BPM | ||
Adam lay ybounden | John Ireland, Lincoln Cathedral Choir, Aric Prentice | C Minor | 1 | 5A | 81 BPM | ||
Approach, My Soul, the Mercy-Seat | The Coventry Singers | E♭ Minor | 1 | 2A | 97 BPM | ||
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM | ||
When in Our Music God Is Glorified | Harvard University Choir | D Minor | 1 | 7A | 81 BPM | ||
Psalm 7 "O Lord My God, in Thee Have I Put My Trust" | Joseph Barnby, George Mursell Garrett, Hereford Cathedral Choir, Geraint Bowen, Roy Massey | A Minor | 0 | 8A | 76 BPM |
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