"Shostakovich: String Quartet No. 12 in D-Flat Major, Op. 133: II. Allegretto - Adagio - Moderato - Allegretto" by Dmitri Shostakovich, Borodin Quartet was released on January 1, 1993. Shostakovich: String Quartet No. 12 in D-Flat Major, Op. 133: II. Allegretto - Adagio - Moderato - Allegretto appears to be safe for all ages as it is not explicit. There are a total of 19 in the song's album "Shostakovich: String Quartets Nos. 2, 3, 7, 8 & 12". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Shostakovich: String Quartet No. 12 in D-Flat Major, Op. 133: II. Allegretto - Adagio - Moderato - Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shostakovich: String Quartet No. 12 in D-Flat Major, Op. 133: II. Allegretto - Adagio - Moderato - Allegretto by Dmitri Shostakovich, Borodin Quartet having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: III. The Liberation of Dresden | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 74 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Piano Trio No. 2 in E Minor, Op. 67: IV. Allegretto | Dmitri Shostakovich, Yo-Yo Ma, Emanuel Ax, Isaac Stern | A Major | 1 | 11B | 161 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | G Minor | 4 | 6A | 136 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | G Minor | 2 | 6A | 136 BPM |
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