"Nunc gaudeant materna viscera (Antiphona)" by Hildegard von Bingen, La Reverdie was released on 2003. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Von Bingen: Sponsa Regis (La victoire de la Vierge dans l'œuvre d'Hildegard) by Hildegard von Bingen, La Reverdie, I Piccoli Cantori di San Bortolo. The song's track number on the album is #6 out of 13 tracks. Nunc gaudeant materna viscera (Antiphona) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nunc gaudeant materna viscera (Antiphona) by Hildegard von Bingen, La Reverdie has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Nunc gaudeant materna viscera (Antiphona) being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alma Redemptoris Mater | Hildegard von Bingen, Sequentia, Barbara Thornton | F Major | 1 | 7B | 80 BPM | ||
Hymn: Veni creator spiritus | Rabanus Maurus, Anonymous 4 | B♭ Major | 0 | 6B | 98 BPM | ||
O Quam Preciosa | Hildegard von Bingen, Stevie Wishart, Sinfonye, Guy Sigsworth | G Minor | 1 | 6A | 77 BPM | ||
O frondens virga (Antiphona) / Psalmus XLIV | Hildegard von Bingen, La Reverdie, I Piccoli Cantori di San Bortolo | D Major | 0 | 10B | 74 BPM | ||
A chantar m'er | Comtessa de Dia, Ensemble Celadon, Paulin Bundgen, Clara Coutouly | C Major | 1 | 8B | 100 BPM | ||
Missa "Mille Regretz": Agnus Dei I (Morales) | The Hilliard Ensemble | A Minor | 2 | 8A | 72 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM | ||
Parce Domine | The Schola Cantorum of St. John XXIII Parish | D♭ Minor | 1 | 12A | 137 BPM | ||
Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 127 BPM |
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