"Epigrammak (Epigrams) (arr. L. Lencses): No. 3. —" by Lajos Lencsés, Zoltán Kodály, Budapest Strings was released on January 1, 1993. With Epigrammak (Epigrams) (arr. L. Lencses): No. 3. — being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 17 in Farkas, F.: Aria E Rondo All'Ungherese / Ranki, G.: Don Quijote and Dulcinea / Hidas, F.: Oboe Concerto by Alan Gilbert. Based on our statistics, Epigrammak (Epigrams) (arr. L. Lencses): No. 3. —'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Epigrammak (Epigrams) (arr. L. Lencses): No. 3. — by Lajos Lencsés, Zoltán Kodály, Budapest Strings is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oblivion | Astor Piazzolla, Lajos Lencsés, Toulouse National Chamber Orchestra, Alain Moglia | E♭ Major | 4 | 5B | 104 BPM | ||
Violin Concerto in G Major, Op. 3, No. 9: III. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 2 | 10B | 115 BPM | ||
Oboe Concerto, H. 353: I. Moderato | Bohuslav Martinů, Lajos Lencsés, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 2 | 8A | 96 BPM | ||
Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek | E♭ Major | 3 | 5B | 126 BPM | ||
Oboe Quintet No. 18 in D Minor, Op. 55, No. 6, G. 436: I. Allegretto comodo assai | Luigi Boccherini, Lajos Lencsés, Parisii Quartet | E♭ Major | 1 | 5B | 116 BPM | ||
Oboe Concertino: III. Allegro vivo | Arrigo Pedrollo, Lajos Lencsés, Stuttgart Arcata Chamber Orchestra, Patrick Strub | D Major | 1 | 10B | 122 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 2. Adagio | Johann Sebastian Bach, Chamber Orchestra of Europe | D Minor | 1 | 7A | 139 BPM | ||
Cor anglais Quartet: III. Vivace assai | Jean Françaix, Lajos Lencsés, Thierry Brodard, Dominique Lobet, Jean Philippe Martignoni | G Major | 2 | 9B | 94 BPM | ||
Fantasia dalla Svizzera: "Jodeln" Svizzero, Op. 23: IV. Variazione II presto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 115 BPM |
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