Oblivion - Astor Piazzolla, Lajos Lencsés, Toulouse National Chamber Orchestra, Alain Moglia Information

Acousticness
88%
Danceability
58%
Energy
41%
Instrumentalness
0%
Liveness
33%
Loudness
74%
Speechiness
3%
Valence
77%
Popularity
Loudness
-15.496 dB

Summary

Astor Piazzolla, Lajos Lencsés, Toulouse National Chamber Orchestra, Alain Moglia made "Oblivion" available on January 1, 1999. The duration of Oblivion is about 3 minutes long, at 3:24. Based on our data, "Oblivion" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Piazzolla, A.: Suite for Oboe and String Orchestra / Las Cuatro Estaciones Portenas / 2 Tangos / 2 Pieces / Tanti Anni Prima / Oblivion". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Oblivion is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Oblivion BPM

With Oblivion by Astor Piazzolla, Lajos Lencsés, Toulouse National Chamber Orchestra, Alain Moglia having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Oblivion Key

E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Scaramouche, Op. 165d (version for clarinet and piano): III. Brazileira by Darius Milhaud, Jean-Marc Fessard, Eliane ReyesScaramouche, Op. 165d (version for clarinet and piano): III. BrazileiraDarius Milhaud, Jean-Marc Fessard, Eliane ReyesD Minor37A138 BPM
Bach, J.S.: 2-Part Invention No. 13 in A Minor, BWV 784 by Johann Sebastian Bach, Camerata BrasilBach, J.S.: 2-Part Invention No. 13 in A Minor, BWV 784Johann Sebastian Bach, Camerata BrasilA Minor48A148 BPM
Un Dia de Noviembre by Leo Brouwer, Laura Mazon FranquiUn Dia de NoviembreLeo Brouwer, Laura Mazon FranquiA Minor18A117 BPM
Manhã de carnaval by Luiz Bonfá, Gerald GarciaManhã de carnavalLuiz Bonfá, Gerald GarciaG Major19B83 BPM
Youkali by Conjunto BerretinYoukaliConjunto BerretinD Minor37A113 BPM
Meditango by Astor PiazzollaMeditangoAstor PiazzollaD Minor57A181 BPM
Libertango (Orch. Bacalov) by Astor Piazzolla, Héctor Ulises Passarella, Luis Bacalov, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun ChungLibertango (Orch. Bacalov)Astor Piazzolla, Héctor Ulises Passarella, Luis Bacalov, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun ChungD Minor67A155 BPM
María De Buenos Aires: Yo soy María (Arr. for Violin and Piano) by Astor Piazzolla, María Dueñas, Itamar GolanMaría De Buenos Aires: Yo soy María (Arr. for Violin and Piano)Astor Piazzolla, María Dueñas, Itamar GolanG Minor46A81 BPM
Finale - Tango Apasionado by Astor PiazzollaFinale - Tango ApasionadoAstor PiazzollaC Minor15A96 BPM
Valse-chôro by Heitor Villa-Lobos, Mickael ViegasValse-chôroHeitor Villa-Lobos, Mickael ViegasE Minor29A90 BPM
ISRC
DEB269900177
Label
L-M Records/RCA Records

Section: 0.5794432163238525

End: 0.5845625400543213