Astor Piazzolla, Lajos Lencsés, Toulouse National Chamber Orchestra, Alain Moglia made "Oblivion" available on January 1, 1999. The duration of Oblivion is about 3 minutes long, at 3:24. Based on our data, "Oblivion" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Piazzolla, A.: Suite for Oboe and String Orchestra / Las Cuatro Estaciones Portenas / 2 Tangos / 2 Pieces / Tanti Anni Prima / Oblivion". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Oblivion is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Oblivion by Astor Piazzolla, Lajos Lencsés, Toulouse National Chamber Orchestra, Alain Moglia having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scaramouche, Op. 165d (version for clarinet and piano): III. Brazileira | Darius Milhaud, Jean-Marc Fessard, Eliane Reyes | D Minor | 3 | 7A | 138 BPM | ||
Bach, J.S.: 2-Part Invention No. 13 in A Minor, BWV 784 | Johann Sebastian Bach, Camerata Brasil | A Minor | 4 | 8A | 148 BPM | ||
Un Dia de Noviembre | Leo Brouwer, Laura Mazon Franqui | A Minor | 1 | 8A | 117 BPM | ||
Manhã de carnaval | Luiz Bonfá, Gerald Garcia | G Major | 1 | 9B | 83 BPM | ||
Youkali | Conjunto Berretin | D Minor | 3 | 7A | 113 BPM | ||
Meditango | Astor Piazzolla | D Minor | 5 | 7A | 181 BPM | ||
Libertango (Orch. Bacalov) | Astor Piazzolla, Héctor Ulises Passarella, Luis Bacalov, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | D Minor | 6 | 7A | 155 BPM | ||
María De Buenos Aires: Yo soy María (Arr. for Violin and Piano) | Astor Piazzolla, María Dueñas, Itamar Golan | G Minor | 4 | 6A | 81 BPM | ||
Finale - Tango Apasionado | Astor Piazzolla | C Minor | 1 | 5A | 96 BPM | ||
Valse-chôro | Heitor Villa-Lobos, Mickael Viegas | E Minor | 2 | 9A | 90 BPM |
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