Astor Piazzolla, Héctor Ulises Passarella, Luis Bacalov, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung's 'Libertango (Orch. Bacalov)' came out on March 3, 2021. Libertango (Orch. Bacalov) is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There is only one song in リベルタンゴ~ピアソラ・フォーエヴァー, so we believe that "Libertango (Orch. Bacalov)" is a single. Based on our statistics, Libertango (Orch. Bacalov)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Libertango (Orch. Bacalov) by Astor Piazzolla, Héctor Ulises Passarella, Luis Bacalov, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
María de Buenos Aires (Excerpts Arr. B. Mogensen for Accordion & Chamber Ensemble): Fuga y Misterio | Astor Piazzolla, Bjarke Mogensen, Johan Bridger, Mathias Heise, Danish Chamber Players | E Minor | 3 | 9A | 138 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
Hungarian Dance No.5 in G Minor, WoO 1 No.5 (Arr. For Violin) | Johannes Brahms, Lakatos | G Minor | 3 | 6A | 93 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Simone Dinnerstein, José Antonio Méndez Padrón | F Major | 0 | 7B | 182 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | G Minor | 1 | 6A | 91 BPM | ||
Danse Hongroise N°1 en Sol Mineur | Johannes Brahms, Laurent Korcia | G Minor | 3 | 6A | 125 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged Sgambati: Dance of the Blessed Spirits (Mélodie) | Christoph Willibald Gluck, Jean-Yves Thibaudet | D♭ Minor | 0 | 12A | 128 BPM | ||
María de Buenos Aires, Part I, Scene 2: "Tema de María" | Astor Piazzolla, Martina Belli, Rubén Peloni, Daniel Bonilla-Torres, Orchestra La Corelli, Jacopo Rivani, Davide Vendramin | E Minor | 1 | 9A | 136 BPM | ||
Por una cabeza | Carlos Gardel, Alfredo Le Pera, Miloš Karadaglić, Studioorchester der Europäischen FilmPhilharmonie, Christoph Israel | A Minor | 1 | 8A | 117 BPM |
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