Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek made "Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto" available on November 17, 2023. The duration of Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 18 in C.P.E. Bach: The Hamburg Symphonies, Wq. 182 by Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto by Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Festa no Palácio das Fadas | Shaya Lambert, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Quintet in E-Flat Major, Op. 10, No. 3, Ben. 282: I. Adagio | Ignaz Pleyel, Orsolya Kaczander, Lajos Lencsés, Vilmos Szabadi, Péter Bársony, Péter Szabó | G Major | 1 | 9B | 78 BPM | ||
L'italiana in Algeri: Atto I. Sinfonia | Gioachino Rossini, Orchestra Of The 18th Century, Giancarlo Andretta | D Major | 2 | 10B | 148 BPM | ||
6 Sonatas, ZWV 81, No. 1 in F Major: I. Adagio ma non troppo | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin | G Minor | 2 | 6A | 116 BPM | ||
Sonate No. 1 (Six Sonates ex symphonies op. 3): 3.Gigha: Allegro | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 2 | 11A | 80 BPM | ||
Hasse: Demofoonte, Sinfonia: I. Allegro | Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge | D♭ Major | 2 | 3B | 136 BPM | ||
Das listige Bauernmädchen: No. 11, Allegro molto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Symphony in G Major, H. 657, Wq. 182/1: III. Presto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Harpsichord Concerto in G Major, H. 412 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): II. Adagio (Cadenza: Mayer) | Albrecht Mayer, Carl Philipp Emanuel Bach, Berliner Barock Solisten | D Major | 0 | 10B | 96 BPM |
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