"Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Kammerchor Sofia was released on 1994. The duration of Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #19 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Kammerchor Sofia has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Op. 4, Act II, Scene 4: Questo cimento è il giudizio di Dio (Francesca, Paolo, Chorus) being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa di Gloria: XI. Et incarnatus | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | G Major | 1 | 9B | 78 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
Doña Francisquita, Act I: Canción del Ruiseñor, Pt. 2 (Doña Francisca, francisquita, Fernando, Cardona, Aurora, Lorenzo, Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Rosa Maria Ysas, Maria Bayo, Alfredo Kraus, Santiago Jerico, Raquel Pierotti, Ismael Ponz, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | D Major | 3 | 10B | 124 BPM | ||
Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | ||
L'italiana in Algeri / Act 1: Dite: chi è quella femmina? | Gioachino Rossini, Giuliana Tavolaccini, Miti Truccato Pace, Teresa Berganza, Luigi Alva, Rolando Panerai, Fernando Corena, Paolo Montarsolo, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | C Minor | 2 | 5A | 82 BPM | ||
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
Madame Butterfly - Grosser Querschnitt: Das ist sicher ein Kriegsschiff | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | F♯ Minor | 1 | 11A | 178 BPM | ||
Verdi: La traviata, Act 2: "Che fai?...Nulla" (Violetta, Annina, Alfredo) | Giuseppe Verdi, Maria Callas, Francesco Albanese, Gabriele Santini, Ines Marietti, Orchestra Sinfonica della RAI | F Major | 2 | 7B | 166 BPM | ||
Falstaff, Act I: Ma è tempo d'assottigliar l'ingegno | Giuseppe Verdi, Heinz Zednik, Giuseppe Taddei, Federico Davia, Wiener Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 70 BPM |
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