"Soprano Saxophone Concerto, Op. 344: I. Andante - Allegretto espressivo - Fuga" by Alan Hovhaness, Greg Banaszak, Eastern Music Festival Orchestra, Gerard Schwarz was released on February 3, 2015. Since Soprano Saxophone Concerto, Op. 344: I. Andante - Allegretto espressivo - Fuga is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Alan Hovhaness, Greg Banaszak, Eastern Music Festival Orchestra, Gerard Schwarz's "Hovhaness: Works for Orchestra & Soprano Saxophone" album is number 2 out of 8. Soprano Saxophone Concerto, Op. 344: I. Andante - Allegretto espressivo - Fuga is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Soprano Saxophone Concerto, Op. 344: I. Andante - Allegretto espressivo - Fuga by Alan Hovhaness, Greg Banaszak, Eastern Music Festival Orchestra, Gerard Schwarz to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abschiedsserenade: II | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D♭ Major | 0 | 3B | 80 BPM | ||
Martynov: "Come in!", Movement IV | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 115 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
Lyra Angelica: I. Adagio | William Alwyn, Richard Hickox, City of London Sinfonia, Rachel Masters | C Minor | 1 | 5A | 71 BPM | ||
Symphony No. 4 in D Minor: II. Andante cantabile | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 93 BPM | ||
The Minstrel's Adieu to his Native Land | John Thomas, Judy Loman | A♭ Minor | 1 | 1A | 81 BPM | ||
Symphony No. 20, Op. 223, "3 Journeys to a Holy Mountain": III. Andante maestoso | Alan Hovhaness, Royal Scottish Academy of Music and Drama Wind Orchestra, Keith Brion | G Minor | 1 | 6A | 87 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM |
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