Symphony No. 20, Op. 223, "3 Journeys to a Holy Mountain": III. Andante maestoso - Alan Hovhaness, Royal Scottish Academy of Music and Drama Wind Orchestra, Keith Brion Information

Acousticness: 98%
Danceability: 19%
Energy: 8%
Instrumentalness: 91%
Liveness: 8%
Loudness: 70%
Speechiness: 4%
Valence: 8%
Popularity: 0%
Loudness: -18.135 dB

Summary

"Symphony No. 20, Op. 223, "3 Journeys to a Holy Mountain": III. Andante maestoso" by Alan Hovhaness, Royal Scottish Academy of Music and Drama Wind Orchestra, Keith Brion was released on November 15, 2005. Since Symphony No. 20, Op. 223, "3 Journeys to a Holy Mountain": III. Andante maestoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Alan Hovhaness's "Hovhaness: Symphonies Nos. 4, 20 and 53" album is number 8 out of 11. Symphony No. 20, Op. 223, "3 Journeys to a Holy Mountain": III. Andante maestoso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 20, Op. 223, "3 Journeys to a Holy Mountain": III. Andante maestoso BPM

We consider the tempo marking of Symphony No. 20, Op. 223, "3 Journeys to a Holy Mountain": III. Andante maestoso by Alan Hovhaness, Royal Scottish Academy of Music and Drama Wind Orchestra, Keith Brion to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Symphony No. 20, Op. 223, "3 Journeys to a Holy Mountain": III. Andante maestoso Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Arpeggione Sonata, D. 821: II. Adagio	Franz Schubert, Anne Gastinel, Claire Désert	E Major	0	12B	73 BPM
Appalachian Spring: VI. Meno mosso	Aaron Copland, Leonard Bernstein, New York Philharmonic	A♭ Major	0	4B	143 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento	Antonín Dvořák, Pavel Haas Quartet	D Minor	0	7A	87 BPM
Song For Athene	John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton	B♭ Major	0	6B	97 BPM
Magnificat	Alan Hovhaness, Eric Plutz, St. John's Cathedral Choir, St. John's Boys and Girls Choir, St. John's Cathedral Festival Orchestra, Donald Pearson	D Minor	0	7A	127 BPM
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum	Gabriel Fauré, Paavo Järvi, Orchestre de Paris	D Major	0	10B	147 BPM
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude	César Franck, Aldo Ciccolini	B Minor	0	10A	127 BPM
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts	Charles Ives, Marc-André Hamelin	E♭ Major	0	5B	72 BPM
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave	Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis	C Minor	1	5A	74 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6505846977233887

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