Wolfgang Amadeus Mozart, Dinu Lipatti made "Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione" available on July 21, 2017. Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The song is number 12 out of 161 in Dinu Lipatti (100th Anniversary Edition) by Dinu Lipatti, Hans Von Benda, Ernest Ansermet, Alceo Galliera, Eduard van Beinum, Paul Sacher, Herbert von Karajan, Otto Ackermann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione by Wolfgang Amadeus Mozart, Dinu Lipatti is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem In D Minor, K. 626: Sequence: I. Dies Irae | Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart | G Minor | 3 | 6A | 79 BPM | ||
Sonata for 2 Pianos in D Major, K. 448/375a: I. Allegro con spirito | Wolfgang Amadeus Mozart, Ingrid Haebler, Ludwig Hoffmann | A♭ Major | 1 | 4B | 93 BPM | ||
Gran Adagio (Arr. Spindler for Oboe, Violin, Cello and Orchestra After Adagio from Gran Partita, K. 361/370a) | Wolfgang Amadeus Mozart, Albrecht Mayer, Daniel Sepec, Nuala McKenna, Deutsche Kammerphilharmonie Bremen | E♭ Major | 1 | 5B | 89 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "Sull’aria ... Che soave zeffiretto" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 1 | 6B | 80 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
Chopin: Nocturne No. 8 in D-Flat Major, Op. 27 No. 2 | Frédéric Chopin, Gabriela Montero | D♭ Major | 0 | 3B | 107 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Piano Sonata No.15 In F, K.533/494: 3. Rondo (Allegretto), K.494 - 2002 Recording | Wolfgang Amadeus Mozart, Alfred Brendel | F Major | 1 | 7B | 134 BPM |
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