Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione
Wolfgang Amadeus Mozart, Dinu Lipatti
Dinu Lipatti (100th Anniversary Edition)
6:25 July 21, 2017
BPM
70
Key
A♭ Major
Camelot
4B

Embed

Share Link

Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione - Wolfgang Amadeus Mozart, Dinu Lipatti Information

Acousticness
99%
Danceability
15%
Energy
25%
Instrumentalness
93%
Liveness
18%
Loudness
69%
Speechiness
4%
Valence
45%
Popularity
Loudness
-18.794 dB

Summary

Wolfgang Amadeus Mozart, Dinu Lipatti made "Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione" available on July 21, 2017. Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The song is number 12 out of 161 in Dinu Lipatti (100th Anniversary Edition) by Dinu Lipatti, Hans Von Benda, Ernest Ansermet, Alceo Galliera, Eduard van Beinum, Paul Sacher, Herbert von Karajan, Otto Ackermann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione BPM

The tempo marking of Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione by Wolfgang Amadeus Mozart, Dinu Lipatti is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione Key

The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Requiem In D Minor, K. 626: Sequence: I. Dies Irae by Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus MozartRequiem In D Minor, K. 626: Sequence: I. Dies IraeSlovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus MozartG Minor36A79 BPM
Sonata for 2 Pianos in D Major, K. 448/375a: I. Allegro con spirito by Wolfgang Amadeus Mozart, Ingrid Haebler, Ludwig HoffmannSonata for 2 Pianos in D Major, K. 448/375a: I. Allegro con spiritoWolfgang Amadeus Mozart, Ingrid Haebler, Ludwig HoffmannA♭ Major14B93 BPM
Gran Adagio (Arr. Spindler for Oboe, Violin, Cello and Orchestra After Adagio from Gran Partita, K. 361/370a) by Wolfgang Amadeus Mozart, Albrecht Mayer, Daniel Sepec, Nuala McKenna, Deutsche Kammerphilharmonie BremenGran Adagio (Arr. Spindler for Oboe, Violin, Cello and Orchestra After Adagio from Gran Partita, K. 361/370a)Wolfgang Amadeus Mozart, Albrecht Mayer, Daniel Sepec, Nuala McKenna, Deutsche Kammerphilharmonie BremenE♭ Major15B89 BPM
Le nozze di Figaro, K. 492 / Act 3: Le nozze di Figaro, K. 492 / Act 3: "Sull’aria ... Che soave zeffiretto"Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl BöhmB♭ Major16B80 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace by Louise Farrenc, Consortium ClassicumNonet in E-Flat Major, Op. 38: III. Scherzo. VivaceLouise Farrenc, Consortium ClassicumC Major08B79 BPM
Recollections of Paganini, WoO 8, S190: IV. Campanella by Johann Nepomuk Hummel, Madoka InuiRecollections of Paganini, WoO 8, S190: IV. CampanellaJohann Nepomuk Hummel, Madoka InuiA Minor18A138 BPM
Chopin: Nocturne No. 8 in D-Flat Major, Op. 27 No. 2 by Frédéric Chopin, Gabriela MonteroChopin: Nocturne No. 8 in D-Flat Major, Op. 27 No. 2Frédéric Chopin, Gabriela MonteroD♭ Major03B107 BPM
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio by Franz Schubert, Alexandre Tharaud, Jean-Guihen QueyrasSonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. AdagioFranz Schubert, Alexandre Tharaud, Jean-Guihen QueyrasE Major012B91 BPM
Piano Sonata No.15 In F, K.533/494: 3. Rondo (Allegretto), K.494 - 2002 Recording by Wolfgang Amadeus Mozart, Alfred BrendelPiano Sonata No.15 In F, K.533/494: 3. Rondo (Allegretto), K.494 - 2002 RecordingWolfgang Amadeus Mozart, Alfred BrendelF Major17B134 BPM
ISRC
DEAD61711133
Label
L-M Records/RCA Records

Section: 0.8122375011444092

End: 0.8180902004241943