Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer made "Symphony No. 2 in C Major, Hob. I:2: II. Andante" available on November 1, 2014. The duration of Symphony No. 2 in C Major, Hob. I:2: II. Andante is about 3 minutes long, at 3:03. Based on our data, "Symphony No. 2 in C Major, Hob. I:2: II. Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer's "Haydn Edition, Vol. 1" album is number 5 out of 173. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Symphony No. 2 in C Major, Hob. I:2: II. Andante is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Symphony No. 2 in C Major, Hob. I:2: II. Andante by Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 94 BPM | ||
Concerto Grosso in D Minor, Op. 3, No. 5, HWV 316: III. Adagio | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | C Major | 2 | 8B | 78 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto | Franz Schubert, Hanover Band, Roy Goodman | E♭ Major | 1 | 5B | 119 BPM | ||
Concerto for Strings in F Major, RV 138: III. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Grand Overture in B-Flat Major, Op. 18, No. 2, W. G9: III. Presto | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | G Minor | 1 | 6A | 135 BPM | ||
Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | D Major | 1 | 10B | 118 BPM | ||
Symphony No. 3 in G Major, Hob. I:3: III. Menuet & Trio | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | G Major | 0 | 9B | 122 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | E Major | 1 | 12B | 114 BPM | ||
Symphony No. 6 In F Major: Larghetto | William Boyce, English String Orchestra, William Boughton, English Symphony Orchestra, The Gulbenkian Orchestra, Austro-Hungarian Haydn Orchestra, BBC Welsh Symphony Orchestra, Hungarian State Symphony Orchestra | F Major | 0 | 7B | 78 BPM | ||
Orchestral Suite No. 4 in D Major, BWV 1069: IV. Menuet I-II | Johann Sebastian Bach, Kammerorchester Berlin, Helmut Koch | G Major | 1 | 9B | 91 BPM |
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