"Adriana Lecouvreur, Act IV: Act IV: Ecco la luce" by Francesco Cilea, Magda Olivero, Alberto Cupido, Marta Moretto, Orazio Mori, Carmelina Gandolfo was released on May 1, 2014. The duration of Adriana Lecouvreur, Act IV: Act IV: Ecco la luce is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Adriana Lecouvreur, Act IV: Act IV: Ecco la luce's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 19 in Francesco: Adriana Lecouvreur by Francesco Cilea, Magda Olivero. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Adriana Lecouvreur, Act IV: Act IV: Ecco la luce's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adriana Lecouvreur, Act IV: Act IV: Ecco la luce by Francesco Cilea, Magda Olivero, Alberto Cupido, Marta Moretto, Orazio Mori, Carmelina Gandolfo is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Cilea: Adriana Lecouvreur; Act 1: Or dunque, abate | Francesco Cilea, Arturo Colautti, James Levine | G Minor | 2 | 6A | 143 BPM | ||
Cavalleria Rusticana: Easter Hymn | Pietro Mascagni, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | G Major | 1 | 9B | 157 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Adriana Lecouvreur, IFC 1, Act I: "Del sultano Amuratte m'arrendo all'imper" (Adriana, Il Principe, L'Abate) | Francesco Cilea, Orchestra del Teatro San Carlo, Mario Rossi, Magda Olivero, Antonio Cassinelli, Ettore Bastianini, Mariano Caruso | A♭ Minor | 1 | 1A | 93 BPM | ||
Le Comte Ory / Act 1: "Moi, je réclame | Gioachino Rossini, Juan Diego Flórez, Rosella Bevacqua, Marina de Liso, Bruno Pratico, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Lucia Popp, Tom Krause, Vienna Haydn Orchestra, István Kertész | A Major | 3 | 11B | 96 BPM | ||
Rusalka, Op. 114 / Act 1: Sem casto prichazi a v objeti mé stoupá | Antonín Dvořák, Renée Fleming, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras | F Major | 2 | 7B | 176 BPM | ||
Adriana Lecouvreur / Act 1: "'Del sultano Amuratte'...Io son l'umile ancella" | Francesco Cilea, Dame Joan Sutherland, Francesco Ellero D'Artegna, Michel Sénéchal, Leo Nucci, Frances Ginzer, Bryn Terfel, Peter Bronder, Deborah Stuart-Roberts, Welsh National Opera Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 75 BPM |
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