"On The Dneiper (Sur le Borysthène), Op. 51: Scene 2: The Quarrel" by Gennady Rozhdestvensky, State Symphony Orchestra of the Ministry of Culture was released on November 28, 2006. The duration of On The Dneiper (Sur le Borysthène), Op. 51: Scene 2: The Quarrel is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. On The Dneiper (Sur le Borysthène), Op. 51: Scene 2: The Quarrel's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Prokofiev: On The Dnieper, Romeo and Juliet Suite, The Year 1941". In this album, this song's track order is #10. In terms of popularity, On The Dneiper (Sur le Borysthène), Op. 51: Scene 2: The Quarrel is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With On The Dneiper (Sur le Borysthène), Op. 51: Scene 2: The Quarrel by Gennady Rozhdestvensky, State Symphony Orchestra of the Ministry of Culture having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Gennady Rozhdestvensky | G Major | 2 | 9B | 84 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Symphony No. 3: I. Moderato | Alfred Schnittke, USSR Ministry Of Culture Symphony Orchestra, Gennady Rozhdestvensky | E Minor | 1 | 9A | 75 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Sigurd Jorsalfar Suite, Op. 56: III. Huldigungsmarsch (Hommage March) | Edvard Grieg, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
Mosow-Cheryomushki, Op. 105, Act I Scene 2: We haven't received the authorisation yet (Drebednyov, Barabashkin, Chorus) | Dmitri Shostakovich, Gennady Rozhdestvensky, Hague Residentie Orchestra, Andrei Baturkin, Alexander Kisseley, State Symphony Capella of Russia, Valeri Polyansky | E♭ Major | 4 | 5B | 125 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM |
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