Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto)
René Jacobs, Alan Curtis, Il Complesso Barocco
Handel - Admeto, re di Tessaglia
2:33 1978
BPM
74
Key
B Minor
Camelot
10A

Embed

Share Link

Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto) - René Jacobs, Alan Curtis, Il Complesso Barocco Information

Acousticness
96%
Danceability
15%
Energy
6%
Instrumentalness
0%
Liveness
17%
Loudness
61%
Speechiness
6%
Valence
7%
Popularity
Loudness
-23.158 dB

Summary

"Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto)" by René Jacobs, Alan Curtis, Il Complesso Barocco was released on 1978. The duration of Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in René Jacobs, Alan Curtis's "Handel - Admeto, re di Tessaglia" album is number 1 out of 75. On top of that, Germany appears to be the country where this track was created. Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto) BPM

We consider the tempo marking of Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto) by René Jacobs, Alan Curtis, Il Complesso Barocco to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.

Handel: Admeto, HWV 22, Act 3: "A languir ed a penar m'ha destinato Amor" (Admeto) Key

This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 by Carl Philipp Emanuel Bach, Ana-Marija MarkovinaSolfeggio No. 1 in C Minor, Wq. 117/2, H. 220Carl Philipp Emanuel Bach, Ana-Marija MarkovinaF Minor24A76 BPM
Ouverture in D Major, Ouverture in D Major, "Darmstadt": HarlequinadeGeorg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-BruhlD♭ Major13B174 BPM
Dido & Aeneas: Dido & Aeneas: Act I, Belinda Dido & Aeneas: Dido & Aeneas: Act I, Belinda "Pursue thy conquest"Henry Purcell, Orchestra of the Age of Enlightenment, Rosemary Joshua, René JacobsF♯ Major22B117 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: II. Un BalHector Berlioz, London Symphony Orchestra, Sir Colin DavisA Major111B113 BPM
Sinfonia in D Major, Sinfonia in D Major, "La Veneziana": III. PrestoAntonio Salieri, Chopin Chamber Orchestra, Winston Dan VogelD Major110B109 BPM
Symphonie fantastique, Op. 14: II. Un bal by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: II. Un balHector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingA Major111B107 BPM
Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Presto): Chi mai dell'Erebo by Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger BarockorchesterOrfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Presto): Chi mai dell'EreboChristoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger BarockorchesterG Major39B122 BPM
La traviata / Act 2: La traviata / Act 2: "Di Provenza il mar, il suol"Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery GergievD♭ Major23B76 BPM
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten by Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerEin deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die TotenJohannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerF Major17B134 BPM
Die Schöpfung, Hob.XXI:2, Part 1: No. 6, Arie Die Schöpfung, Hob.XXI:2, Part 1: No. 6, Arie "Rollend in schäumenden Wellen" (Raphael)Joseph Haydn, René Jacobs, Johannes Weisser, Freiburger BarockorchesterB♭ Major46B115 BPM
ISRC
DEC629501066
Label
L-M Records/RCA Records

Section: 0.8095529079437256

End: 0.8133084774017334