Joseph Haydn, René Jacobs, Johannes Weisser, Freiburger Barockorchester's 'Die Schöpfung, Hob.XXI:2, Part 1: No. 6, Arie "Rollend in schäumenden Wellen" (Raphael)' came out on October 6, 2009. The duration of Die Schöpfung, Hob.XXI:2, Part 1: No. 6, Arie "Rollend in schäumenden Wellen" (Raphael) is about 3 minutes long, at 3:20. Based on our data, "Die Schöpfung, Hob.XXI:2, Part 1: No. 6, Arie "Rollend in schäumenden Wellen" (Raphael)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Haydn, Freiburger Barockorchester, René Jacobs, RIAS Kammerchor, Maximilian Schmitt, Julia Kleiter, Johannes Weisser's "Haydn: Die Schöpfung (The Creation)" album is number 7 out of 32. On top of that, France appears to be the country where this track was created. In terms of popularity, Die Schöpfung, Hob.XXI:2, Part 1: No. 6, Arie "Rollend in schäumenden Wellen" (Raphael) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung, Hob.XXI:2, Part 1: No. 6, Arie "Rollend in schäumenden Wellen" (Raphael) by Joseph Haydn, René Jacobs, Johannes Weisser, Freiburger Barockorchester to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 3 | 8B | 97 BPM | ||
Violin Concerto In E Minor, Op.64, MWV O14: 3. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester Leipzig, Kurt Masur | E Major | 2 | 12B | 81 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto | Frédéric Chopin, Leif Ove Andsnes | E♭ Major | 0 | 5B | 148 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Viola Concerto in E-Flat Major: II. Adagio ma non troppo | Carl Friedrich Zelter, Hariolf Schlichtig, Munich Chamber Orchestra | C Minor | 0 | 5A | 58 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM |
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