Giovanni Girolamo Kapsberger, Rolf Lislevand, Guido Morini, Lorenz Duftschmid's 'Libro quarto d'intavolatura di chitarone: No. 4, Toccata Xma' came out on January 1, 1993. With Libro quarto d'intavolatura di chitarone: No. 4, Toccata Xma being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giovanni Girolamo Kapsberger, Various Artists's "Kapsberger: Libro quarto d'intavolatura di chitaronne" album is number 4 out of 18. On top of that, France appears to be the country where this track was created. Based on our statistics, Libro quarto d'intavolatura di chitarone: No. 4, Toccata Xma's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libro quarto d'intavolatura di chitarone: No. 4, Toccata Xma by Giovanni Girolamo Kapsberger, Rolf Lislevand, Guido Morini, Lorenz Duftschmid to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor: V. Les derniers paroles | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Il primo libro delle canzoni: Toccata (2) | Girolamo Frescobaldi, Ensemble ConSerto Musico, Roberto Loreggian | F♯ Minor | 3 | 11A | 112 BPM | ||
Lute Sonata No. 6: I. Alemanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 112 BPM | ||
Foliandalus | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Minor | 1 | 6A | 113 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Spanish Pavan | Thomas Robinson, Joachim Held | F♯ Minor | 1 | 11A | 96 BPM | ||
Dernière courente de Gautier | Denis Gaultier, Bernhard Hofstötter | D♭ Minor | 1 | 12A | 148 BPM | ||
Balletto Quarto: Adaggio | Maurizio Cazzati, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | F♯ Minor | 1 | 11A | 130 BPM | ||
Suite in D Minor: VI. Courante | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Les Couplets | Monsieur de Sainte-Colombe, Hille Perl | D♭ Minor | 0 | 12A | 123 BPM |
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