"Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen" by Richard Strauss, Diana Damrau, Anton Barakhovsky, Mariss Jansons, Bavarian Radio Symphony Orchestra was released on January 31, 2020. With this song being about 5 minutes long, at 5:24, "Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen" by Richard Strauss, Diana Damrau, Anton Barakhovsky, Mariss Jansons, Bavarian Radio Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 24 in the song's album "Strauss, Richard: Lieder". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen by Richard Strauss, Diana Damrau, Anton Barakhovsky, Mariss Jansons, Bavarian Radio Symphony Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie: VI. Auf dem Gipfel | Richard Strauss, Bernard Haitink, London Symphony Orchestra | C Major | 1 | 8B | 78 BPM | ||
Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Minor | 0 | 11A | 83 BPM | ||
L'Oiseau de feu (1911 Version): X. Khorovod (Ronde) des princesses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 0 | 4A | 68 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Vier letzte Lieder: 4. Im Abendrot | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 1 | 10B | 117 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Carnival of the Animals, R. 125: VII. Aquarium (Narrated by Jimmy Fallon) | Camille Saint-Saëns, Lang Lang, Gina Alice, Gewandhausorchester, Andris Nelsons, Jimmy Fallon | C Major | 4 | 8B | 103 BPM | ||
Salome, Op. 54 / Scene 2: "Ich will nicht bleiben" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F♯ Minor | 1 | 11A | 90 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM |
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