"Pushkin's Garland: Mary" by Georgy Sviridov, Vladimir Minin, Moscow Chamber Choir was released on July 14, 1995. The duration of Pushkin's Garland: Mary is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Pushkin's Garland: Mary's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Russian Choir School: Vladimir Minin". In this album, this song's track order is #3. Based on our statistics, Pushkin's Garland: Mary's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pushkin's Garland: Mary by Georgy Sviridov, Vladimir Minin, Moscow Chamber Choir having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Amur Waves | Max Kyuss, Nikolai Nazarov, Отдельный показательный оркестр Министерства обороны СССР | B♭ Minor | 2 | 3A | 98 BPM | ||
Cherubic Hymn, Op. 7, No. 1 | Pavel Chesnokov, Conspirare, Craig Hella Johnson | B Minor | 1 | 10A | 145 BPM | ||
We Praise Thee | Pavel Chesnokov, Dmitri Hvorostovsky, St.Petersburg Chamber Choir, Nikolai Korniev | G Major | 1 | 9B | 65 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Geistliches Lied, Op. 30 | Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | E♭ Major | 1 | 5B | 172 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Tebe Poem (We Hymn Thee) | Pavel Chesnokov, The Sixteen, Harry Christophers | D♭ Minor | 0 | 12A | 141 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM |
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