"Carnival of the Animals, R. 125: XIV. Finale" by Camille Saint-Saëns, Marylene Dosse, Annie Petit, Württembergisches Kammerorchester Heilbronn, Jörg Faerber was released on January 1, 1997. With Carnival of the Animals, R. 125: XIV. Finale being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Prokofiev: Peter and the Wolf - Britten: The Young Person's Guide to the Orchestra - Saint-Saëns: Carnival of the Animals". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. In terms of popularity, Carnival of the Animals, R. 125: XIV. Finale is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carnival of the Animals, R. 125: XIV. Finale by Camille Saint-Saëns, Marylene Dosse, Annie Petit, Württembergisches Kammerorchester Heilbronn, Jörg Faerber having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Raymonda, Op. 57: Prélude et la Romanesca | Alexander Glazunov, Xavier De Maistre, Nathalie Stutzmann, WDR Sinfonieorchester | E Minor | 3 | 9A | 104 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | A Minor | 2 | 8A | 63 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Romanza (Spanish Romance) | Anonimo Anonimo, Andrés Madariaga | E Minor | 1 | 9A | 113 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Grieg: Peer Gynt Suite No. 1, Op. 46: I. Morning Mood (Piano Version) | Edvard Grieg, Cyprien Katsaris | G Major | 3 | 9B | 92 BPM | ||
Nocturne, Op. posth. in C-Sharp Minor: Lento | Frédéric Chopin, Brigitte Engerer | D♭ Minor | 0 | 12A | 72 BPM |
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