Edvard Grieg, Cyprien Katsaris's 'Grieg: Peer Gynt Suite No. 1, Op. 46: I. Morning Mood (Piano Version)' came out on September 13, 2005. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists, Orchestre Philharmonique de Radio France's "Healing Piano Best 1 (Japan)" album is number 2 out of 15. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Grieg: Peer Gynt Suite No. 1, Op. 46: I. Morning Mood (Piano Version) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Grieg: Peer Gynt Suite No. 1, Op. 46: I. Morning Mood (Piano Version) by Edvard Grieg, Cyprien Katsaris to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Notturno, Op. 54 No. 4 | Edvard Grieg, Peter Donohoe | G Major | 1 | 9B | 114 BPM | ||
The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 4 | 9B | 133 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Il Padrino (for Harp): Un poco liberamente | Nino Rota, Naoko Yoshino | F Minor | 0 | 4A | 83 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | B♭ Major | 1 | 6B | 121 BPM |
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