"Nacht und Träume, D.827 (Version For Cello And Piano)" by Franz Schubert, Kian Soltani, Aaron Pilsan was released on April 14, 2020. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Work From Home With Schubert by Franz Schubert. The song's track number on the album is #6 out of 59 tracks. Nacht und Träume, D.827 (Version For Cello And Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nacht und Träume, D.827 (Version For Cello And Piano) by Franz Schubert, Kian Soltani, Aaron Pilsan has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Nacht und Träume, D.827 (Version For Cello And Piano) being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Legende, Op. 17 | Henryk Wieniawski, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | G Minor | 1 | 6A | 89 BPM | ||
Chant du Ménestrel, Op. 71 | Alexander Glazunov, Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | B Minor | 0 | 10A | 82 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 3, Allegro appassionato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 83 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM | ||
Gnossiennes: IV. Lent | Erik Satie, Hélène Grimaud | C Major | 0 | 8B | 96 BPM | ||
Piano Concerto No. 4 in G Minor: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | C Minor | 1 | 5A | 180 BPM | ||
Pictures at an Exhibition: Promenade I | Modest Mussorgsky, Khatia Buniatishvili | F Major | 0 | 7B | 80 BPM | ||
Sonata in G Minor for Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Heinrich Schiff, Elisabeth Leonskaja | A Minor | 2 | 8A | 125 BPM |
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