"Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 3, Allegro appassionato" by Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili was released on 2014. The duration of Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 3, Allegro appassionato is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 3, Allegro appassionato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 8 in Franck: Violin Sonata, FWV 8 - Dvořák: Romantic Pieces, Op. 75 by Khatia Buniatishvili, Renaud Capuçon, Antonín Dvořák, César Franck. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 3, Allegro appassionato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 3, Allegro appassionato by Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance (Arr. for Cello and Piano by Steven Isserlis) | Alexander Scriabin, Mischa Maisky, Lily Maisky | A Minor | 1 | 8A | 84 BPM | ||
5 Morceaux de fantaisie, Op. 3: No. 1 Elégie - Adapted by Mischa Maisky | Sergei Rachmaninoff, Mischa Maisky, Sergio Tiempo | E Minor | 1 | 9A | 91 BPM | ||
Three Movements from Petrushka: I. Russian Dance | Igor Stravinsky, Khatia Buniatishvili | G Major | 3 | 9B | 125 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Duport : Cello Concerto No.1 in G major : Romance | Jean-Louis Duport, Frédéric Lodéon, Jean-Pierre Wallez, Orchestre de chambre de Paris | C Major | 1 | 8B | 95 BPM |
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