"Ma che? Squallido e oscura" by Sigismondo D'India, Magdalena Kozená, Private Musicke, Pierre Pitzl was released on January 1, 2010. The duration of Ma che? Squallido e oscura is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Ma che? Squallido e oscura's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Magdalena Kozená, Private Musicke, Pierre Pitzl's "Lettere amorose" album is number 8 out of 18. Ma che? Squallido e oscura is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ma che? Squallido e oscura by Sigismondo D'India, Magdalena Kozená, Private Musicke, Pierre Pitzl to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Noe Noe: II. Gloria | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | D Minor | 1 | 7A | 124 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Cor mio, deh, non languire | Sigismondo D'India, Consort Of Musicke, Anthony Rooley | B Major | 3 | 1B | 176 BPM | ||
Messa Della Domenica: Canzon Dopo la Pistola | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Gather Ye Rosebuds | William Lawes, Sylvain Bergeron, Suzie LeBlanc, Les Voix Humaines | A♭ Minor | 1 | 1A | 141 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: II. Pavan | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Requiem "Misa": XIV. Comunion. Lux aeterna | José de Nebra, Coro Victoria, Schola Antiqua, La Madrileña, José Antonio Montaño | F♯ Major | 2 | 2B | 71 BPM | ||
Membra Jesu nostri, BuxWV 75: IIId. Ad manus: In cruore tuo lotum | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | ||
Le Camus: On n'entend rien dans ce bocage | Sébastien Le Camus, Lea Desandre, Thomas Dunford | F♯ Minor | 0 | 11A | 66 BPM |
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