Francesco Gasparini, Andreas Scholl, Accademia Bizantina, Ottavio Dantone made "Destati Lidia mia: Lidia, il sonno sai cos'è?" available on January 1, 2006. The duration of Destati Lidia mia: Lidia, il sonno sai cos'è? is about 3 minutes long, at 3:23. Based on our data, "Destati Lidia mia: Lidia, il sonno sai cos'è?" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "The Best of Andreas Scholl". In this album, this song's track order is #7. Based on our statistics, Destati Lidia mia: Lidia, il sonno sai cos'è?'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Destati Lidia mia: Lidia, il sonno sai cos'è? by Francesco Gasparini, Andreas Scholl, Accademia Bizantina, Ottavio Dantone having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Il Bajazet, Act II: Act II Scene 6: Recitative: Gran cose espone Asteria (Irene) | Francesco Gasparini, Benedetta Mazzucato, Ewa Gubańska, Giuseppina Bridelli, Auser Musici, Carlo Ipata | E Major | 1 | 12B | 118 BPM | ||
Voi Chascoltate | Sigismondo D'India, Musica Sequenza, BURAK, Diana Ramirez | F♯ Major | 2 | 2B | 86 BPM | ||
Beatus vir qui timet in F Major: II. Exortum est | Leonardo Leo, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | E Major | 0 | 12B | 66 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: III. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Litaniae Omnium Sanctorum, ZWV 153: Propitius esto | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
Salomone amante: Partite dolori (Duetto) | Giovanni Paolo Colonna, Núria Rial, Valer Sabadus | F♯ Minor | 0 | 11A | 60 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Sonatae unarum fidium - Sonata IV in D Major (Introduction - Sarabande - Guige - Allegro - Presto) | Johann Heinrich Schmelzer, Ensemble Castelkorn, Josef Žák | A♭ Major | 2 | 4B | 122 BPM | ||
La parca | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique | B♭ Minor | 0 | 3A | 110 BPM |
Section: 0.6209585666656494
End: 0.6256182193756104