"Sacred Concerto No. 18, "Blaho yest' ispoviedatisia Hospodevi" (It is good to give thanks unto the Lord): IV. Let all rejoice that trusts in thee" by Dmitry Bortniansky, State Symphony Capella of Russia, Valery Polyansky was released on August 1, 2000. With Sacred Concerto No. 18, "Blaho yest' ispoviedatisia Hospodevi" (It is good to give thanks unto the Lord): IV. Let all rejoice that trusts in thee being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 25 in Bortniansky: Sacred Concertos, Vol. 3 by Dmitry Bortniansky, Valery Polyansky. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Sacred Concerto No. 18, "Blaho yest' ispoviedatisia Hospodevi" (It is good to give thanks unto the Lord): IV. Let all rejoice that trusts in thee is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacred Concerto No. 18, "Blaho yest' ispoviedatisia Hospodevi" (It is good to give thanks unto the Lord): IV. Let all rejoice that trusts in thee by Dmitry Bortniansky, State Symphony Capella of Russia, Valery Polyansky is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Jesus Has Risen from the Tomb, Op. 44 No. 8 | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | F♯ Major | 1 | 2B | 61 BPM | ||
In monte Oliveti II | Orlande de Lassus, Regensburger Domspatzen, Roland Büchner | F Major | 3 | 7B | 137 BPM | ||
The Armed Man (Ensemble Version): IV. Save Me from Bloody Men | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | G Major | 2 | 9B | 127 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Brahms : 7 Lieder Op.62 : III Waldesnacht | Johannes Brahms, Arnold Schoenberg Chor | D Minor | 2 | 7A | 76 BPM | ||
We Praise Thee, O God No. 2 in F Major | Lege Artis Chamber Choir, Boris Abalyan | F♯ Minor | 1 | 11A | 133 BPM | ||
Quinto Fabio: Presto | Dmitry Bortniansky, Baroque Chamber Ensemble | C Major | 3 | 8B | 136 BPM | ||
Nunc avemus et laudemus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM |
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