Friedrich Schorr made "Jerum, jerum (Die Meistersinger von Nürnberg)" available on August 27, 2006. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 69 in the song's album "Unvergessene Stimmen der Wiener Staatsoper". In this album, this song's track order is #29. Jerum, jerum (Die Meistersinger von Nürnberg) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Jerum, jerum (Die Meistersinger von Nürnberg) by Friedrich Schorr having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 2: "Ho una casa nell'Honan" | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 96 BPM | ||
Turandot: Nessun dorma | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | E Minor | 3 | 9A | 112 BPM | ||
Gotterdammerung (Twilight of the Gods): Act II - Scene 1 - Schlafst du, Hagen, mein sohn? | Richard Wagner, Eduard Habich, Marjorie Lawrence, Lauritz Melchior, Friedrich Schorr, New York Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Artur Bodanzky | C Minor | 3 | 5A | 140 BPM | ||
Tosca / Act I: Mario! Mario! Mario! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 104 BPM | ||
Villa-Lobos: Bachianas Brasileiras No. 5 for Soprano and 8 Cellos, W. 389: I. Aria in A Minor (Cantilena. Adagio) | Heitor Villa-Lobos, Enrique Bátiz, Royal Philharmonic Orchestra | F Major | 1 | 7B | 104 BPM | ||
Lacrymosa | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | B♭ Minor | 2 | 3A | 79 BPM | ||
Maria di Rohan: Alma soave e cara | Gaetano Donizetti, Michael Fabiano, London Philharmonic Orchestra, Enrique Mazzola | B♭ Major | 2 | 6B | 169 BPM | ||
La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
La forza del destino, Act II, Scene II: Madre, pietosa Vergine | Giuseppe Verdi, Dinara Alieva, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | D♭ Major | 3 | 3B | 76 BPM | ||
Abendlich glühend (Die Meistersinger von Nürnberg) | Rudolf Laubenthal, London Symphony Orchestra, Friedrich Schorr | G Major | 3 | 9B | 90 BPM |
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