"Rigoletto / Act 1: Già da tre lune son qui venuta" by Giuseppe Verdi, Ileana Cotrubas, Hanna Schwarz, Plácido Domingo, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini was released on January 1, 1980. Since Rigoletto / Act 1: Già da tre lune son qui venuta is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Wiener Philharmoniker, Carlo Maria Giulini. The song's track number on the album is #8 out of 34 tracks. Rigoletto / Act 1: Già da tre lune son qui venuta is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act 1: Già da tre lune son qui venuta by Giuseppe Verdi, Ileana Cotrubas, Hanna Schwarz, Plácido Domingo, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto / Act 1: Già da tre lune son qui venuta being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Benvenuto Cellini / Act I: "Les belles fleures" - "Entre l'amour et le devoir" - Quand j'aurai votre âge | Hector Berlioz, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | A Major | 2 | 11B | 83 BPM | ||
Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM | ||
Macbeth / Act II: Coro di Sicari: "Chi oso mandarvi a noi?" | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | G Major | 0 | 9B | 130 BPM | ||
Jenufa / Act 1: Uz se vecer chyli | Leoš Janáček, Elisabeth Söderström, Marie Mrazova, Peter Dvorsky, Jana Jonasova, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Minor | 1 | 1A | 87 BPM | ||
Stabat Mater: 6. Sancta Mater istud agas | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | A♭ Major | 1 | 4B | 71 BPM | ||
Tosca / Act 1: "Ah, quegli occhi..." - "Qual occhio al mondo può star di paro" | Giacomo Puccini, Mirella Freni, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli | C Minor | 2 | 5A | 90 BPM | ||
Bizet: Carmen: Pres des remparts de Seville: Seguidilla - Act One | Georges Bizet, Shirley Verrett, Plácido Domingo | B Minor | 2 | 10A | 78 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 6: Recitativo, "Chi e la? … Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello) | Wolfgang Amadeus Mozart, Carlo Maria Giulini | C Major | 2 | 8B | 79 BPM | ||
Rigoletto / Act 1: "Zitti, zitti...Soccorso, padre mio" | Giuseppe Verdi, Joan Sutherland, Sherrill Milnes, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 87 BPM | ||
Stabat Mater: 7. Fac ut portem Christi mortem | Gioachino Rossini, Lucia Valentini Terrani, Philharmonia Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 92 BPM |
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