Wolfgang Amadeus Mozart, Carlo Maria Giulini's 'Mozart: Don Giovanni, K. 527, Act 1 Scene 6: Recitativo, "Chi e la? … Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello)' came out on 1997. The duration of Mozart: Don Giovanni, K. 527, Act 1 Scene 6: Recitativo, "Chi e la? … Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 1 Scene 6: Recitativo, "Chi e la? … Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Carlo Maria Giulini's "Mozart - Don Giovanni" album is number 10 out of 72. Mozart: Don Giovanni, K. 527, Act 1 Scene 6: Recitativo, "Chi e la? … Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello) is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 6: Recitativo, "Chi e la? … Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello) by Wolfgang Amadeus Mozart, Carlo Maria Giulini to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM |
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