Edmund Rubbra, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins's 'Magnificat & Nunc dimittis in A-Flat Major, Op. 65: I. Magnificat' came out on May 13, 1996. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins's "Magnificat & Nunc dimittis, Vol. 11" album is number 9 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Magnificat & Nunc dimittis in A-Flat Major, Op. 65: I. Magnificat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat & Nunc dimittis in A-Flat Major, Op. 65: I. Magnificat by Edmund Rubbra, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Close Distancing | Stacey Philipps, Oregon Repertory Singers, Ethan Sperry | G Major | 3 | 9B | 64 BPM | ||
Caligaverunt Oculi Mei | Arautos do Evangelho | E Minor | 0 | 9A | 81 BPM | ||
Lay a Garland - 1840 | Pearsall (1795-1856), Robert Pearsall, Talla Vocal Ensemble | E♭ Major | 1 | 5B | 103 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
A Child of our Time, Part I: Is evil then good? (Alto, Chorus) | Michael Tippett, Sarah Connolly, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
In Windsor Forest: No. 1, The Conspiracy | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | E Minor | 1 | 9A | 72 BPM | ||
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM | ||
Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM |
Section: 0.5960547924041748
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