Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron made "In Windsor Forest: No. 1, The Conspiracy" available on February 9, 2024. The duration of In Windsor Forest: No. 1, The Conspiracy is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. In Windsor Forest: No. 1, The Conspiracy's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: Retrospect by Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck. The song's track number on the album is #1 out of 14 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In Windsor Forest: No. 1, The Conspiracy is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since In Windsor Forest: No. 1, The Conspiracy by Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With In Windsor Forest: No. 1, The Conspiracy being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Choirs of Eternity | LeoRoads | B Minor | 2 | 10A | 80 BPM | ||
Linden Lea | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | F Major | 0 | 7B | 86 BPM | ||
Old American Songs, Book 1: IV. Simple Gifts (Arr. I. Fine for Chorus) | Aaron Copland, Nathaniel Stampley, St. Charles Singers, Elgin Symphony Orchestra, Robert Hanson | A♭ Major | 1 | 4B | 168 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VIII. Andante con moto. "Nun danket alle Gott" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | G Major | 2 | 9B | 81 BPM | ||
Missa Pontificalis: Gloria | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | D Major | 0 | 10B | 86 BPM | ||
O Taste and See | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | A Minor | 0 | 8A | 75 BPM | ||
Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Christophe Gautier, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
Songs of Love: III. I Sing Because | Will Todd, Christopher Finch, Wellensian Consort, Will Todd Ensemble | E Minor | 3 | 9A | 144 BPM | ||
Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
A Song of Thanksgiving: Land of Our Birth | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | G Major | 1 | 9B | 79 BPM |
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