"Missa Pontificalis: Gloria" by Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti was released on April 19, 2019. Missa Pontificalis: Gloria is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in Lorenzo Perosi, Massimo Nosetti, Marco Limone, Michele Frezza, Coro dell'Accademia Stefano Tempia's "Lorenzo Perosi: Missa Pontificalis - Missa Secunda Pontificalis" album is number 2 out of 14. On top of that, Italy appears to be the country where this track was created. Missa Pontificalis: Gloria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Pontificalis: Gloria by Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Mass: Laudamus Te | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
Eastertimei Psalm | James Chepponis, St. Mary's Adult Choir, John J. Miller | D Major | 3 | 10B | 84 BPM | ||
Romanzen und Balladen, Book 2, Op. 75: No. 3. Der traurige Jager | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 82 BPM | ||
La trasfigurazione di Cristo: Part II: La Liberazione dell'ossesso (Chorus, Storico, Cristo, Padre dell'ossesso) | Lorenzo Perosi, Gianni Puddu, Franco Podda, Marco Camastra, Carlo Tallone, Barbara Volta, Fons Amoris Coro, Nuova Cameristica di Milano, Arturo Sacchetti | F♯ Minor | 5 | 11A | 126 BPM | ||
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
Folk Song Arrangements: O Waly, Waly | Benjamin Britten, Toronto Children's Chorus | E♭ Major | 1 | 5B | 75 BPM | ||
Evry Stone Crys | Nicolas Fayolle | B♭ Major | 1 | 6B | 95 BPM | ||
Annelies (chamber version): VI. Courage | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | B Minor | 0 | 10A | 137 BPM | ||
Den blida vår är inne | Hägerstens Kammarkör | A Major | 1 | 11B | 79 BPM | ||
Hidden Faces | Karl Jenkins, Kathryn Rudge, World Orchestra For Peace | D♭ Major | 2 | 3B | 93 BPM |
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