"Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VIII. Andante con moto. "Nun danket alle Gott"" by Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart was released on January 1, 2009. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius's "Mendelssohn: Lobgesang" album is number 10 out of 12. On top of that, Germany appears to be the country where this track was created. Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VIII. Andante con moto. "Nun danket alle Gott" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VIII. Andante con moto. "Nun danket alle Gott" by Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM | ||
6 Sprüche, Op. 79 (Ed. J. Jordan): No. 1, Weihnachten | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Mass in D Major, Op. 86 / Credo: IIIb. Et incarnatus est | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
Ubi Caritas II (Through Infinite Ages) | Ola Gjeilo, Westminster Williamson Voices, James Jordan | C Major | 1 | 8B | 138 BPM | ||
Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
Sven Erik Bäck: Våren | Sven-Erik Back, Uranienborg Vokalensemble, Elisabeth Holte | G Major | 0 | 9B | 87 BPM | ||
3 Körvisor: No. 2, I seraillets have | Wilhelm Stenhammar, Ars Nova Copenhagen, Paul Hillier | D Major | 0 | 10B | 78 BPM |
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