Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel made "Harmonia artificioso-ariosa / Partia IV: Pollicinello. Presto" available on January 1, 2004. With Harmonia artificioso-ariosa / Partia IV: Pollicinello. Presto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 23 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Based on our statistics, Harmonia artificioso-ariosa / Partia IV: Pollicinello. Presto's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Harmonia artificioso-ariosa / Partia IV: Pollicinello. Presto by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM | ||
Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 1 | 2B | 104 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
Oboe Concerto in F Minor, TWV 51:f2: II. Largo | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E Minor | 1 | 9A | 81 BPM | ||
Madrigali, Book 1: No. 18, Sonata à 31 | Francesco Turini, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto | Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz, Jonathan Manson | A♭ Major | 1 | 4B | 67 BPM | ||
Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Clavos pedum, plagas duras" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi | C Minor | 2 | 5A | 90 BPM | ||
In hoc mundo: I. Sonata | Domenico Zipoli, Florilegium | D♭ Major | 2 | 3B | 104 BPM |
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