"In I Vesperis: Antiphona. Laus et perhennis" by Etienne de Liège, Psallentes, Hendrik Vanden Abeele was released on 2006. With In I Vesperis: Antiphona. Laus et perhennis being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 20 in De Liège: In festo sanctissimae trinitatis by Etienne de Liège, Psallentes, Hendrik Vanden Abeele. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, In I Vesperis: Antiphona. Laus et perhennis is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In I Vesperis: Antiphona. Laus et perhennis by Etienne de Liège, Psallentes, Hendrik Vanden Abeele is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Open Unto Me The Gates Of Repentance | The Sirin Choir, Choirmaster: Andrey Kotov | F Minor | 0 | 4A | 78 BPM | ||
Salve, feste dies | Pro Cantione Antiqua | B Minor | 1 | 10A | 135 BPM | ||
O sacrum convivium | Jacobus Gallus, Pro Musica, Szabó Dénes | C Minor | 1 | 5A | 133 BPM | ||
Hodie Nobis Coelorum Rex | Benedictine Monks of the Abbey Saint Maurice Et Saint Maur of Clervaux | G Minor | 2 | 6A | 70 BPM | ||
Alleluia "Post partum" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | G Major | 6 | 9B | 110 BPM | ||
Troparion to St Peter of Cetinje - Serbian "Karlovci" Chant, Mode VII | The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević | A♭ Major | 5 | 4B | 117 BPM | ||
Kyrie XIV | Abbaye Saint-Joseph de Flavigny | A Minor | 2 | 8A | 112 BPM | ||
Responsorium egregius praesul | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | A♭ Major | 2 | 4B | 119 BPM | ||
In I Vesperis: Antiphona. Ex quo omnia | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
Ave Maria Stella | Pope Gregoris, Ensemble de Venasque | E Minor | 0 | 9A | 71 BPM |
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