The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević's 'Troparion to St Peter of Cetinje - Serbian "Karlovci" Chant, Mode VII' came out on October 17, 2016. With Troparion to St Peter of Cetinje - Serbian "Karlovci" Chant, Mode VII being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "The Great Orthodox Liturgy. The Divine Liturgy of St. John Chrysostom". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Poland. In terms of popularity, Troparion to St Peter of Cetinje - Serbian "Karlovci" Chant, Mode VII is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Troparion to St Peter of Cetinje - Serbian "Karlovci" Chant, Mode VII by The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christe, unice Dei Patris | Cantores in Ecclesia, Dean Applegate | G Minor | 1 | 6A | 83 BPM | ||
Magnificat cum Alleluia | Pope Gregorius, Ensemble de Venasque | A Minor | 0 | 8A | 71 BPM | ||
Canto Gregoriano Jueves Santo, Misa y Responsos de las Tinieblas: Introito NOS AUTEM (4º modo) - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | A♭ Major | 1 | 4B | 74 BPM | ||
09 Vespers | Concordia Publishing House, Seminary Kantorei of Concordia Theological Seminary | B Minor | 1 | 10A | 116 BPM | ||
Apolisul / Dismissal | Byzantion | D Major | 1 | 10B | 56 BPM | ||
Ecce lignum crucis | Pro Cantione Antiqua | D♭ Major | 1 | 3B | 152 BPM | ||
Quasi Modo Geniti - VI modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | A Minor | 1 | 8A | 133 BPM | ||
Salve Regina | Benedyktyni Opactwa Tynieckiego | D Major | 1 | 10B | 81 BPM | ||
Offertoire: Recordàre | Coro Francescano di Assisi | D♭ Major | 1 | 3B | 141 BPM | ||
Of Thy Mystical Supper, Znamenny Chant | Cherubika | E♭ Major | 0 | 5B | 96 BPM |
Section: 0.5760982036590576
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