"In I Vesperis: Antiphona. Ex quo omnia" by Etienne de Liège, Psallentes, Hendrik Vanden Abeele was released on 2006. The duration of In I Vesperis: Antiphona. Ex quo omnia is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. In I Vesperis: Antiphona. Ex quo omnia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 20 in De Liège: In festo sanctissimae trinitatis by Etienne de Liège, Psallentes, Hendrik Vanden Abeele. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, In I Vesperis: Antiphona. Ex quo omnia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In I Vesperis: Antiphona. Ex quo omnia by Etienne de Liège, Psallentes, Hendrik Vanden Abeele is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Apolisul / Dismissal | Byzantion | D Major | 1 | 10B | 56 BPM | ||
Gaude, mater Polonia (Polish, 13th century) | Early Music New York | F Major | 1 | 7B | 70 BPM | ||
Requiem | Pope Gregorius, Ensemble de Venasque | D Major | 1 | 10B | 79 BPM | ||
Great Compline: "O Lord of Hosts" And Psalm 150 | Choir of the Monks of Chevetogne | D Major | 1 | 10B | 174 BPM | ||
Offertoire: Recordàre | Coro Francescano di Assisi | D♭ Major | 1 | 3B | 141 BPM | ||
Tercer Domingo Depués de Pascua: Ofertorio: Lauda (4º modo) | Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | A Major | 1 | 11B | 81 BPM | ||
Hierarchical Entrance Rite for a Byzantine Divine Liturgy: II. Hymn of the Resurrection (Mode I) | Cappella Romana, Mark Powell, Leslie Green, John M. Boyer, Alexander Lingas | D Minor | 2 | 7A | 80 BPM | ||
Rythme: Concordi Laetitia VI | Chœur des Moines de l'Abbaye Saint-Benoît du Lac, Dom André Saint-Cyr | G Major | 1 | 9B | 131 BPM | ||
Communio: Lutum Fecit | Marek Klein | B♭ Minor | 1 | 3A | 130 BPM | ||
26 Evening Prayers | Concordia Publishing House, Seminary Kantorei of Concordia Theological Seminary | C Minor | 1 | 5A | 140 BPM |
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