Cappella Romana, Mark Powell, Leslie Green, John M. Boyer, Alexander Lingas's 'Hierarchical Entrance Rite for a Byzantine Divine Liturgy: II. Hymn of the Resurrection (Mode I)' came out on 2006. With Hierarchical Entrance Rite for a Byzantine Divine Liturgy: II. Hymn of the Resurrection (Mode I) being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "The Fall of Constantinople". In this album, this song's track order is #2. Hierarchical Entrance Rite for a Byzantine Divine Liturgy: II. Hymn of the Resurrection (Mode I) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hierarchical Entrance Rite for a Byzantine Divine Liturgy: II. Hymn of the Resurrection (Mode I) by Cappella Romana, Mark Powell, Leslie Green, John M. Boyer, Alexander Lingas having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa Della Domenica: Kyrye III | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | E♭ Minor | 0 | 2A | 112 BPM | ||
Megalynaria (Second Mode) | TROPOS Byzantine Choir, Constantinos Ath. Angelidis | G Major | 2 | 9B | 69 BPM | ||
All-Night Vigil: No. 15, To You, My Champion | Robert Kyr, Cappella Romana, Alexander Lingas | A Major | 3 | 11B | 127 BPM | ||
Our Father / One Is Holy / Praise the Lord, No. 1 | Sergei Glagolev, Cappella Romana, Vladimir Morosan | G Major | 1 | 9B | 72 BPM | ||
Hymne | Monks Of The Benedictine Abbey Of Calcat | F Minor | 1 | 4A | 109 BPM | ||
Recordare virgo mater | Graduel De Bakócz, Choeur des Moniales de Pecs | F Major | 2 | 7B | 105 BPM | ||
Kyriale: Mass XI - Kyrie (Mode I) | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | A♭ Minor | 0 | 1A | 103 BPM | ||
In I Vesperis: Responsorium. Tibi laus | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
Passion Week, Op. 13: I. Alleluia | Maximilian Steinberg, Adam Steele, Cappella Romana, Alexander Lingas | F Major | 0 | 7B | 81 BPM | ||
Adorate Deum - VII modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM |
Section: 0.5077757835388184
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