"交響曲第5番「革命」 - 第4楽章" by Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko was released on 1988. 交響曲第5番「革命」 - 第4楽章 appears to be safe for all ages as it is not explicit. There is only one song in クラシック人気作曲家ランキングTOP50![何人知ってる!? バッハからピアソラまで、イマドキの人気作曲家50人がおくる名曲ガチンコ勝負!(クラシック人気ランキングシリーズ)], so we believe that "交響曲第5番「革命」 - 第4楽章" is a single. In terms of popularity, 交響曲第5番「革命」 - 第4楽章 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 交響曲第5番「革命」 - 第4楽章 by Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Cello Concerto No.1 in E Flat Major, Op.107: 4. Allegro con moto - Live | Dmitri Shostakovich, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | A♭ Major | 4 | 4B | 128 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
24 Preludes, Op. 11: No. 14 in E-Flat Minor | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 62 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |
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